Gear Acquisition Syndrome

Gear Acquisition Syndrome: Consumption of Instruments and Technology in Popular Music

Jan-Peter Herbst & Jonas Menze

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Description
Gear Acquisition Syndrome, also known as GAS, is commonly understood as the musicians’ unrelenting urge to buy and own instruments and equipment as an anticipated catalyst of creative energy and bringer of happiness. For many musicians, it involves the unavoidable compulsion to spend money one does not have on gear perhaps not even needed. The urge is directed by the belief that acquiring another instrument will make one a better player. This book pioneers research into the complex phenomenon named GAS from a variety of disciplines, including popular music studies and music technology, cultural and leisure studies, consumption research, sociology, psychology and psychiatry. The newly created theoretical framework and empirical studies of online communities and offline music stores allow the study to consider musical, social and personal motives, which influence the way musicians think about and deal with equipment. As is shown, GAS encompasses a variety of practices and psychological processes. In an often life-long endeavour, upgrading the rig is accompanied by musical learning processes in popular music.

Description

Gear Acquisition Syndrome, also known as GAS, is commonly understood as the musicians’ unrelenting urge to buy and own instruments and equipment as an anticipated catalyst of creative energy and bringer of happiness. For many musicians, it involves the unavoidable compulsion to spend money one does not have on gear perhaps not even needed. The urge is directed by the belief that acquiring another instrument will make one a better player.

This book pioneers research into the complex phenomenon named GAS from a variety of disciplines, including popular music studies and music technology, cultural and leisure studies, consumption research, sociology, psychology and psychiatry. The newly created theoretical framework and empirical studies of online communities and offline music stores allow the study to consider musical, social and personal motives, which influence the way musicians think about and deal with equipment. As is shown, GAS encompasses a variety of practices and psychological processes. In an often life-long endeavour, upgrading the rig is accompanied by musical learning processes in popular music.

Details

Published	Published By	Pages	ISBN	DOI	Chapters
April 19, 2021	University of Huddersfield Press	284	978-1-86218-185-4	10.5920/GearAcquisition.fulltext	12
Citation
Herbst J. & Menze J. 2021. Gear Acquisition Syndrome: Consumption of Instruments and Technology in Popular Music

Chapters
Gear Acquisition Syndrome: Consumption of Instruments and Technology in Popular Music has the following Chapters:

Gear Acquisition Syndrome: Consumption of Instruments and Technology in Popular Music

Jan-Peter Herbst & Jonas Menze

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